Opera in two parts, four acts, in Italian, with Hungarian and English surtitles
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Last event date: Saturday, May 29 2021 7:00PM
“The revolution has no need for poets!” Supposedly these were the public prosecutor’s closing words when the Revolutionary Tribunal condemned Andrea Chénier to death during the bloodiest period of the French Revolution. In Umberto Giordano’s work, Chénier’s fate transcends actual events and becomes the story of a tragic love triangle in which the lives of the protagonists are subjected to the forces of history, betrayal and amorous passion.
Giordano’s music perfectly captures the atmosphere of Paris both before and during the French Revolution. Along with presenting elegant aristocratic dances and popular revolutionary songs, such as La Marseillaise, he also endows the main characters with melodies of irresistible beauty.
Artistic director and director-choreographer Balázs Vincze is very familiar with the tastes of dance aficionados partial to the traditions of bourgeois theatre and is superb at adapting familiar and popular literary classics to the dance stage. His wonderful sense of proportion enables audiences to follow plots in the language of dance. His contemporary choreographies built on classical foundations are unique, spectacular and of a high professional calibre without losing sight of the need to please the audience.
The world-famous Dutch harpsichordist, organist and conductor Ton Koopman, one of the most significant representatives of the international practice of the historically informed performance of early music, turns 80 this October.
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