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Program


THE MAGIC OF THE OBOE

THE MAGIC OF THE OBOE

Are wind instruments capable of song? Of course they are! The world-class French oboist François Leleux provides conclusive proof of this when he plays his own arrangements of arias from two immortal Mozart operas, The Magic Flute and Don Giovanni.  more

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Last event date: Tuesday, May 09 2023 7:30PM

And are wind instruments able to conduct? Not all of them, but the soloist for this evening is also an expert in this art. This will not be the first time he has guested as a conductor at the helm of the Hungarian National Choir. On this occasion, we will hear a symphony each from Mozart and Schumann.

Mozart was eight years old when he wrote his first symphony in 1764, and the last aged 32 in 1788, three years before his death. Depending on the method of categorisation, his works in this genre number between 41 and 68. The piece with Köchel catalogue number 388 to be heard here is one of his most mature as it is only followed by six works of a similar genre. Its inventiveness and refinement bears testament to this. The Magic Flute, which is at once fairy tale and mystical, and Don Goivanni, which presents the demon of seduction, are also later works that belong among the most mature in their genre. Robert Schumann was 36 years old on 19 October 1846, when he completed his Symphony No. 2. With its many dramatic elements, the victorious energy it exudes and its rich sound, his four-movement opus was a turning point in the composer’s creative method: Until then, he had composed at the piano, now he switched to relying on his internal ear and writing the music in his head.

As one of the world’s most famous oboists, the Frenchman François Leleux was only 19 when he became principle oboe at the Paris Opera. A celebrated artist, he is also a member of star-studded Les Vents Français wind quintet and an internationally renowned conductor.
Wolfgang Amadeus Mozart: Symphony No. 34 in C major, K. 338

Wolfgang Amadeus Mozart – François Leleux: Arias from the operas The Magic Flute and Don Giovanni (arrangements for oboe and choir)

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Robert Schumann: Symphony No. 2 in C major, op. 61

Hungarian National Philharmonic Orchestra

Conductor and oboist:François Leleux

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This multi-art production draws on the song, dance and literary traditions of Mezőség (Câmpia Transilvaniei), a region in Transylvania with a very exciting and colourful culture. Musically, the show is centred around movements from Mikrokosmos, Béla Bartók’s piano cycle, as well as the melodies from Mezőség that inspired him.

Az előadás arról szól, milyen hazugságban élni, hazugságban leélni egy életet, és milyen, ha ezt a hatalmi elit különféle rétegeinek való megfelelés kényszeríti ránk. (Kovács Bálint)

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