Film

Bármennyire is szeretjük felfedezni a művészek széles spektrumát, mégis újra és újra visszatérünk a XIX. század végének rendkívül termékeny franciaországi időszakához: Monet, Renoir, Manet, Degas, Van Gogh, Matisse, Morisot, Cassatt, Whistler... és mindenekelőtt Paul Cézanne művészetéhez, akit Picasso egyszerűen csak mindannyiunk atyjának nevezett.

In 2024, Emir Kusturica & The No Smoking Orchestra returned to perform at Müpa Budapest. The night was one big party. Was it what we would call folk punk? Balkan rollicking? Categories are meaningless. Kusturica is very consistent in his use of music in his films. (Sometimes the songs even become hits.)

The late ’70s saw tremendous enthusiasm brewing over the appearance in cinemas of a new – and quintessentially Hungarian – genre: the ‘Goulash Western’, with films like The Wind Blows Under Your Feet and Wrong-Doers. Despite winning critical acclaim for them, however, director György Szomjas decided to take a completely different approach for his 1981 film.

Minden Rembrandt-kiállítást nagy várakozás előz meg, de a most bemutatandó tárlat, mely a londoni National Gallery és az amszterdami Rijksmuseum közreműködésével jött létre, felülmúlja az eddigieket.

Although he caused a scandal in the early ’70s with two of his animated films (Fritz the Cat and Heavy Traffic), which verge on adults-only fare, Ralph Bakshi remains an unfamiliar name to most people.

Three stories taking place over the course of a single night in Memphis, seen from three different points of view. Jim Jarmusch has come up with an incredibly exciting storytelling technique for this film. (He has often chosen unusual narrative forms in his later works.) Furthermore, he only reveals it in the second part of the triptych.